The Ganapati festival is approaching in just two months. However, preparations are already underway with a sense of urgency among the artisans. Every aspect of the process is moving swiftly, particularly the crafting of Lord Ganapati’s idols in various sizes. For these artisans, sculpting these clay idols is not merely a task but a form of devotion and meditation.
In Belagavi city of Karnataka, several locations are currently bustling with the dedicated creation of Ganapati idols. Artisans are skillfully blending river clay, coconut milk, and jaggery to fashion these sacred figures. The atmosphere is imbued with dedication and meticulous attention to detail.
Around 15 days have passed since the initiation of the clay idol-making process. Following this initial phase, the artisans will dedicate an entire month to perfecting and completing the idols. Given the government’s emphasis on eco-friendly practices, there has been a notable shift towards clay idols over those made from Plaster of Paris (POP). This conscious choice reflects a growing awareness of environmental impact among both artisans and the community.
However, the Belgaum Murthikaar Sanghatana, a collective of idol makers from Belagavi, has appealed to the district administration to reconsider the ban on using plaster of Paris (PoP) for crafting Ganesh idols. They argued that there is substantial demand for idols and a shortage of the specific clay needed for traditional idol-making.
Recently, members of the association held discussions with district minister Satish Jarkiholi and deputy commissioner Nitesh Patil to present their case for lifting the ban on PoP. They highlighted the challenges they face due to the limited availability of suitable clay and emphasized the practical need to fulfil the demand for idols during the upcoming festival season.
Clay idols are not only expensive but also heavy and prone to cracking. In contrast, PoP idols are lighter and more cost-effective.
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