Kareena Kapoor Embraces Imperfection In Motherhood With Viral Post: 'A Hot Mess, But a Good One'

Kareena Kapoor Khan is a doting mother and there is no doubt about that. She is often seen sharing lovely photos with her kids-Taimur and Jeh. Well, today Kareena shared another morning affirmations on her social stories which has gone viral. The actress is seen talking about motherhood.

Kareena Kapoor shared a post that read, “I am not perfect. I am an overwhelmed, discombobulated, hot mess of a mom. But a damn good one nevertheless.” Along with the post, she added the caption “Morning affirmations” accompanied by a victory and heart emoticon. Kareena is currently seen in The Buckingham Murders. The film is a mystery thriller and has been getting positive response.

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Tumbbad has made a splashing return to the box office after its re-release. The chilling film, directed by Rahi Anil Barve, made Rs 1.65 crore at the box office in Friday. The film held its own on a weekend when it clashed with Kareena Kapoor’s The Buckingham Murders. The Hansal Mehta film minted Rs 1.15 crore on Friday, as as per the trade website Sacnilk.

Kapoor and Mehta’s film has opened to Rs 1.62 crore reportedly. As per reports, the film has earned Rs 1.62 crore on its first day. Sacnilk.com had previously given early estimates numbers, which painted a bleak picture for the film. However, this is a significant increase from the early estimate of Rs 37 lakh nett. As per the tracker, The film had an overall occupancy of 6.93% on its opening day. Of its total 1300 shows across the country, the highest were in the NCR region – 366. Mumbai had 237 shows, followed by 213 in Ahmedabad and 72 in Lucknow. Night shows were the most popular among the audiences.

News18 gave the film 4 out of 5 stars for its powerful performances, intention and brilliant cinematography. Our review read, “The Buckingham Murders is a slow-burn police procedural, mounted on the able shoulders of Kareena Kapoor Khan. It is a two-hour testament to Kareena’s brilliance as an actor. Mehta brings out the best in her. The actress, who once called herself ‘the most commercial heroine’, impresses with her unglamorous, nuanced expression of unresolved grief and devastation. Her silent desolation and subtle ways of rebellion become the film’s driving force.”